相关试卷

It was the first week of Lily's middle school. The bell's ringing brought her out of her daydreaming. She nervously gathered her books, preparing to reach another classroom for the next new class.

Lily followed the other kids and rushed into the hallway. Others walked in groups, chatted, and laughed, using the break to socialize. Lily, instead, walked alone along the wall of the hallway, with her head down. She was a shy girl, afraid to speak in front of other kids, and didn't think others would like her.

Lily finally sat in Mr. Johnson's Language Arts class nervously. "Welcome to Language Arts," said Mr. Johnson. He told jokes as he talked about English. Lily forgot to daydream and laughed along with the rest of the class. "We'll have some fun with language," he said. "Just wait and see."

Fun was far beyond what Lily desired. She just wanted to be like other kids—running with friends in the hallway, laughing and joking between classes. Reminded of her pimply (长粉刺的) face, she felt hopeless and disappointed.

"Take out a piece of paper," the teacher continued, when pointing at words on the blackboard. "Write for the next thirty minutes on this topic." Lily began writing crazily as idea after idea fought for recognition in her head. The final result was a short story about a beautiful beach house. As she wrote, she could smell the salty air, hear the crashing waves and feel the pull of the sand beneath her feet. For just a moment, she forgot where she was. She was lost in the story.

"OK, pass your papers forward," said the teacher. "Let's see what we have." For the rest of the class time, the teacher read each individual work aloud. Lily originally thought it would be awkward. However, she was gradually attracted by the excitement in the teacher's voice. "He's actually enjoying this," she thought. When the class would be soon over, there were still fifteen students' papers not read, including Lily's paper. Then, Mr. Johnson announced his decision, asking these students to read their work themselves in front of the class next class.

注意：

1.续写词数应为150左右；

2.请按如下格式在答题卡的相应位置作答。

Paragraph 1: 

A week later, the bell rang and the Language Arts class began again.

Paragraph 2: 

After Lily finished her reading, the clapping from her classmates continued for a long time.

1.锻炼的好处和意义；

2.推荐的活动。

注意：

1. 词数80左右；

2. 可适当增加细节，以使行文连贯。

A black slate (石板), an alloy steel needle and decades of practice are what Li Yahua needs to create the perfect Huihe stone shadow carving work of art. With her left hand (gentle) leaning against the mirror-like stone to support the heavy chisel (凿子) she's holding in her right hand, the artist creates a black-and-white landscape by intensively chiseling dots in various sizes and density on the stone.

Different from traditional Chinses art types that emphasize the beauty of lines, stone shadow carving highlights the size and (deep) of dots. "We use an alloy steel needle to chisel white dots to create image on a polished and smooth black slate," Li explained, adding the pressure (use) to chisel them was the key to getting the carving right. "On an A-paper-size black slate, we need to chisel about million dots (create) an image," she continued, adding it would take to days to complete the work depending on its level of complexity. Born into a family of stone carves, stone and alloy steel needles (be) Li's best friends since childhood and the sound of chisel (knock) on the slate is the soundtrack to her life. -year old has devoted nearly years to the craft, which made someone laugh at the (absurd) of the situation. For her, shadow curving is about preserving history, culture and art, recording the stories of the times. "It is vital that we should be prepared twists and turns." She said.

The Poseidon Effect

Late one autumn day at the local swimming pool in Ancenis, France, an 18-year-old named Jean LeRoy came for his regular evening swim in the 25-metre pool.

When people are drowning, they don't usually shout and 1 in the way it happens on television. Most people drown quite 2 , with the person quickly sinking beneath the water. On the evening, LeRoy was testing how far he could swim underwater 3 one breath. At some moment, as he was doing this, he became unconscious. 4 he tried he couldn't breathe. He sank to the bottom of the pool. LeRoy was drowning.

Luckily for him, the swimming pool was 5 with an electronic surveillance system called Poseidon. Although the human lifeguards had not noticed, 12 large machine eyes deep underwater were watching the whole thing. Poseidon has underwater cameras which 6 people as they swim. The cameras are connected to a computer. It is 7 to recognize 8 a swimmer is not moving normally. The lifeguards at the Ancenis pool were wearing a special device that 9 when the computer detected a possible problem. Sixteen seconds after Poseidon noticed LeRoy's body, the lifeguards had pulled him out of the pool. He started breathing again. After one night in hospital, he was sent home completely 10 . Poseidon had saved his life.

Machines like Poseidon completely change how we live. Think of your life before the answering machine was invented. Think of your grandparents' lives before the television and the airplane were introduced. The change will be just as great. It is 11 happening.

Soon, machines will recognize our faces and our fingerprints. They will 12 for drowning people, for 13 carrying bombs, for speeding drivers and heart patients. Imagine devices that monitor a baby's breathing and track children as they go to and from school. Imagine machines 14 quiet signals to nearby computers, which will send information to your doctor, your lawyer, and the local police. As time passes, more and more of our lives will be 15 by machines. They will know all about us.

How to Organize a Music Festival

You love music and you always have. You want to carry out a music festival designed to attract music fans of all ages. Follow the steps and you'll organize a successful one.

◆Start by making a list of the local bands and artists that you like. You've taken this job because you love music, so put your taste to work for you. If you like these musicians, many of the local people will also like them. . You need to have many kinds of music for all age groups.

◆Find a great location that has much open space for outdoor festivals. You need to build a stage so the musicians can be seen from distances. . Not all towns need such license but it is a good idea to check before you start building. For an indoor location, you need to find a theater that is willing to give you enough space. .

◆Hire sound engineers to give the musicians all the help they need. . You can't expect the musicians to handle these problems because they are playing. Your sound and engineering experts will allow your stars to keep the music playing.

◆. If you are planning your festival for families, the last thing you want is a beer-swilling crowd starting a huge fight. Security people need to be present to make sure that nobody gets the idea that they want to start any kind of ruckus (骚乱).

A. You need to find security people.

B. We can find enough songs to get a lot of money.

C. Bigger sports stadiums will be perfect as well.

D. But remember, you are trying to attract fans of all ages.

E. People should have practiced many different songs.

F. You can find a location by going to the local government and asking for permission.

G. The last thing you want is that a group is on the stage but the speakers don't work.

Do you remember all those years when scientists argued that smoking would kill us but the doubters insisted that we didn't know for sure? That the evidence was inconclusive, the science uncertain? That the antismoking lobby was out to destroy our way of life and the government should stay out of the way? Lots of Americans bought that nonsense, and over three decades, some 10 million smokers went to early graves.

There are upsetting parallels today, as scientists in one wave after another try to awaken us to the growing threat of global warming. The latest was a panel from the National Academy of Sciences, enlisted by the White House, to tell us that the Earth's atmosphere is definitely warming and that the problem is largely man-made. The clear message is that we should get moving to protect ourselves. The president of the National Academy, Bruce Alberts, added this key point in the preface to the panel's report: "Science never has all the answers. But science does provide us with the best available guide to the future, and it is critical that our nation and the world base important policies on the best judgments that science can provide concerning the future consequences of present actions."

Just as on smoking, voices now come from many quarters insisting that the science about global warming is incomplete, that it's OK to keep pouring fumes into the air until we know for sure. This is a dangerous game: by the time 100 percent of the evidence is in, it may be too late. With the risks obvious and growing, a prudent people would take out an insurance policy now.

Fortunately, the White House is starting to pay attention. But it's obvious that a majority of the president's advisers still don't take global warming seriously. Instead of a plan of action, they continue to press for more research — a classic case of "paralysis by analysis."

To serve as responsible stewards of the planet, we must press forward on deeper atmospheric and oceanic research. But research alone is inadequate. If the Administration won't take the legislative initiative, Congress should help to begin fashioning conservation measures. A bill by Democratic Senator Robert Byrd of West Virginia, which would offer financial incentives for private industry, is a promising start. Many see that the country is getting ready to build lots of new power plants to meet our energy needs. If we are ever going to protect the atmosphere, it is crucial that those new plants be environmentally sound.

Although literacy appeared independently in several parts of the prehistoric world, the earliest evidence of writing is the cuneiform Sumerian script on the clay tablets of ancient Mesopotamia, which, archaeological detective work has revealed, had its origins in the accounting practices of commercial activity. Researchers demonstrated that preliterate people, to keep track of the goods they produced and exchanged, created a system of accounting using clay tokens as symbolic representations of their products. Over many thousands of years, the symbols evolved through several stages of abstraction until they became wedge-shaped (cuneiform) signs on clay tablets, recognizable as writing.

The original tokens were three-dimensional solid shapes — tiny spheres, cones, disks, and cylinders. A debt of six units of grain and eight head of livestock, for example, might have been represented by six conical and eight cylindrical tokens. To keep batches of tokens together, an innovation was introduced whereby they were sealed inside clay envelopes that could be broken open and counted when it came time for a debt to be repaid. But because the contents of the envelopes could easily be forgotten, two-dimensional representations of the three-dimensional tokens were impressed into the surface of the envelopes before they were sealed. Eventually, having two sets of equivalent symbols — the internal tokens and external markings — came to seem redundant, so the tokens were eliminated, and only solid clay tablets with two-dimensional symbols were retained. Over time, the symbols became more numerous, varied, and abstract and came to represent more than trade commodities, evolving eventually into cuneiform writing.

The evolution of the symbolism is reflected in the archaeological record first of all by the increasing complexity of the tokens themselves. The earliest tokens, dating from about 10,000 to 6,000 years ago, were of only the simplest geometric shapes. But about 3500 B.C.E., more complex tokens came into common usage, including many naturalistic forms shaped like miniature tools, furniture, fruit, and humans.

Americans no longer expect public figures, whether in speech or in writing, to command the English language with skill and gift. Nor do they aspire to such command themselves. In his latest book, Doing Our Own Thing: The Degradation of Language and Music and Why We Should, Like, Care, John McWhorter, a linguist and controversialist (善辩者) of mixed liberal and conservative views, sees the triumph of 1960s counter-culture as responsible for the decline of formal English.

Blaming the permissive 1960s is nothing new, but this is not yet another criticism against the decline in education. Mr. McWhorter's academic specialty is language history and change, and he sees the gradual disappearance of "whom," for example, to be natural and no more regrettable than the loss of the case-endings of Old English.

But the cult of the authentic and the personal, "doing our own thing", has spelt the death of formal speech, writing, poetry and music. While even the modestly educated sought an elevated tone when they put pen to paper before the 1960s, even the most well regarded writing since then has sought to capture spoken English on the page. Equally, in poetry, the highly personal, performative genre is the only form that could claim real liveliness. In both oral and written English, talking is triumphing over speaking, spontaneity over craft.

Illustrated with an entertaining array of examples from both high and low culture the trend that Mr. McWhorter documents is unmistakable. But it is less clear, to take the question of his subtitle, why we should, like, care. As a linguist, he acknowledges that all varieties of human language, including non-standard ones like Black English, can be powerfully expressive — there exists no language or dialect in the world that cannot convey complex ideas. He is not arguing, as many do, that we can no longer think straight because we do not talk proper.

Russians have a deep love for their own language and carry large chunks of memorized poetry in their heads, while Italian politicians tend to elaborate speech that would seem old-fashioned to most English-speakers. Mr. McWhorter acknowledges that formal language is not strictly necessary, and proposes no radical education reforms — he is really grieving over the loss of something beautiful more than useful. We now take our English "on paper plates instead of china". A shame, perhaps, but probably an inevitable one.

Rome can be pricey for travelers, which is why many choose to stay in a hostel (旅社). The hostels in Rome offer a bed in a dorm room for around $25 a night, and for that, you'll often get to stay in a central location (位置) with security and comfort.

Yellow Hostel

If I had to make just one recommendation for where to stay in Rome, it would be Yellow Hostel. It's one of the best-rated hostels in the city, and for good reason. It's affordable, and it's got a fun atmosphere without being too noisy. As an added bonus, it's close to the main train station.

Hostel Alessandro Palace

If you love social hostels, this is the best hostel for you in Rome. Hostel Alessandro Palace is fun. Staff members hold plenty of bar events for guests like free shots, bar crawls and karaoke. There's also an area on the rooftop for hanging out with other travelers during the summer.

Youth Station Hostel

If you're looking for cleanliness and a modern hostel, look no further than Youth Station. It offers beautiful furnishings and beds. There are plenty of other benefits, too; it doesn't charge city tax; it has both air conditioning and a heater for the rooms; it also has free Wi-Fi in every room.

Hotel and Hostel Des Artistes

Hotel and Hostel Des Artistes is located just a 10-minute walk from the central city station and it's close to all of the city's main attractions. The staff is friendly and helpful, providing you with a map of the city when you arrive, and offering advice if you require some. However, you need to pay 2 euros a day for Wi-Fi.

My story started one autumn morning, at the bend on a path.

I was 13 years old, and was on the way to school. It was the first time I had caught sight of a fox. Fascinated to the point that I forgot all fear, I dared to go up to it. I had never come so close to a wild animal. There was nobody else around, only me and the fox.

"Hey, fox!" I tried to greet it, though my voice was so weak that it felt like I was saying hello to myself. It didn't hear me. It stayed there and I watched it. My heart was beating flat out. It was so cute. For a moment, I thought I might be able to touch it.

Throughout the day at school, I could only think of the fox at the big beech (山毛榉) tree. At my return to the place where we met, I was sure I'd find it there.

And I did. This time I gathered a little bit more courage and called out to it, "Fox!" Of course it escaped. But that only made me long to meet it again. I decided that if I could find its kennel (洞) and catch it, I would try and tame (驯服) it, making it my friend.

Thus, I spent most of my free time in the forests trying to find the fox during the following months. But I never saw it again before winter came. During the winter, I followed its footprints far across the fields. Suddenly I was alarmed by the howling of wolves near me. I ran away frightened, stumbled and hurt my ankle. It healed very slowly, so that I had to stay at home during the winter, reading a book about animals of the forest and foxes.

When spring arrived, I was free again. I looked for fox kennels and waited for my fox. To my amazement, it had got young ones but kept moving because of my observations; therefore I decided to observe the fox from a longer distance.

注意：

1. 续写词数应为150左右；

2. 请按如下格式在答题卡的相应位置作答。

Paragraph 1:

Finally, it would let me get close. 

Paragraph 2:

To my surprise, the day after I took it home, it fled. 

1. 安抚对方；

2. 提出建议并说明理由。

注意：

1. 写作词数应为80个左右；

2. 请按如下格式在答题卡的相应位置作答。

Dear Patrick,

Yours,

Li Hua

Japan is a country known for its iconic landmarks, from ancient temples of Kyoto to neon-lit skyscrapers of Tokyo. However,  often goes unnoticed is the approach Japan (take) to beautify its manhole covers(窨井盖) since the s. These metal plates, of which there are roughly ,, serve not only functional infrastructure but also as canvases showcasing cultural symbols.

Photographer Remo Camerota, documented these unique manhole covers in his book "Drainspotting", describes the experience of finding them as a treasure hunt. The designs on these manhole covers show Japan's (commit) to integrating functionality with art and culture. Each cover tells a story, whether it's representing a local festival, historical event, natural landscape.

The practice of decorating manhole covers has not only added touch of artistic genius to Japan's streets but has also become a popular tourist attraction. Visitors now (encourage) to seek out and appreciate these often overlooked pieces of urban art, adding a new dimension to their travel experiences.

Japan's (create) approach to decorating its manhole covers reflects the country's rich cultural heritage. These unique pieces of urban art are living proof of Japan's attention to detail and the importance placed on preserving and (celebrate) its cultural identity.

Advice on Choosing Your Career

You probably are very much concerned about which direction you take in your career, but before working through the process of generating and refining specific career choices, helicopter up to , feet from where you can view your overall career map, answer the big questions and set your overall direction. What is your aim? How long have you got? Remember that there are no right answers, only the best choice for you, based on what you know now.

Having laid out your overall map, set boundaries and defined your personal targets, you can then turn to practical issues.  Write down examples of how you demonstrate key employability skills such as team work, leadership, and communication.

 Go out and meet people, attend talks, go to relevant lectures, watch videos about industries and organizations, seek out websites that can give you objective and general career advice, for example, the open access Oxford university careers website.

Over time you can start to narrow down your choices and then choose one. 

In , Meriwether Lewis and William Clark set off with a compass and direction, and a general destination of mapping the new Louisiana territories in America. But they had no exact map.  Your career will be much longer but, like Lewis and Clark, it is about direction, not destination.

A. Where, roughly, are you going?

B. Their successful expedition took two years.

C. In any event, you have a few years to explore.

D. Identify what you are good at, based on your skills and experiences.

E. That way, you'll be more focused and thus more likely to achieve your goal.

F. You are looking for a match to what might suit you now, but that changes over time.

G. Your career project might take some time, as now you are probably short of information.

Turning around corners, weaving through traffic, every second matters. It is neither a street race nor a 007 chase, but the risky journey of a sushi (寿司) roll.

The streets of China are filled with delivery drivers racing noodles, sandwiches and soups across cities. While the everyday consumer may find these services convenient, most do not realize the true cost of their delivery. How much is that late-night snack really worth?

Strict time limits are the main concern for delivery drivers. The Chinese delivery app Meituan decreased the maximum time allowance from 50 minutes to 30 or even 20. Time literally means money: Surpassing the limit can result in fines, which are paid to the firm rather than to the consumers. Yet, beyond fines, there is often a greater cost. According to Pandaily News, one delivery worker is injured or killed in accidents every 2.5 days in Shanghai and, sadly, companies seldom provide insurance claims when their time limits lead to these consequences. Drivers are pushed to break traffic rules and risk their lives so your sushi is not a minute late.

Furthermore, low wages and extensive working hours exacerbate these issues. Some companies in China take advantage of the economic inequalities between China's large cities and less developed interior to offer extremely low pay to migrant delivery drivers while demanding long hours. Yet these long hours and low pay are common throughout the global delivery industry. In the United States, advertised earnings of $22 per hour are largely exaggerated while workers complain that food delivery apps rarely give them all their tips.

What is the solution? First, consumers should recognize what is behind their impossibly cheap and fast delivery: exploitation. We should expect more from the delivery app companies and less from their drivers. That is, we should pay more and wait longer while only ordering from companies who offer their drivers fair wages, insurance and a safe working environment. In the end, your sushi is just not worth it.

Leadership is a quality that is hard to define. Everyone can think of inspiring leaders from history but managers who think they can base their style on Nelson Mandela or Elizabeth I are suffering from misunderstandings of greatness.

The biggest mistake is to consider leadership entirely equal to charisma(魅力). Billy McFarland was just 25 when he set up the Fyre festival which promised attendees a luxury experience on a deserted island in the Bahamas. As shown by the Netflix documentary, "Fyre: The Greatest Party That Never Happened", Mr McFarland was an unusual salesman. He convinced investors that he was a visionary businessman and persuaded talented young people to work for him.

But he lacked the skills to put his vision into practice. Festival guests arrived to find their food consisted of cheese sandwiches, rather than first-class cuisine. They were housed not in luxury villas, but in tents left over from a hurricane-relief program. The whole event ended with Mr McFarland being sentenced to six years in prison.

His example could have been a case study for the book by Tomas Chamorro-Premuzic— "Why Do So Many Incompetent Men Become Leaders?(and how to fix it)". As an organisational psychologist, he points out that people tend to assume that confident individuals are competent, when there is no actual relationship between the two qualities. Those confident people are promoted and then their abilities turn out to be over-estimated.

Mr Chamorro-Premuzic argues that competence is more important than charisma or confidence. Managers need enough presence to persuade their teams to follow the business plan, but they should think in terms of coaching rather than inspiration. Employees are more likely to be engaged with their work if they get frequent feedback from their bosses, and if they are involved in setting their own goals. Another key factor in leadership is the ability to set a good example. Subordinates(下属)notice what behaviour gets rewarded and which standards are set by the person at the top.

Coco Gauff used to visit the Grand Slam tournament (大满贯锦标赛) as a kid to see her idols Serena and Venus Williams. Now she is a champion there herself. On Sept 9, the 19-year-old from the US won her first major women's singles title at the 2023 US Open (美国网球公开赛).

After an average start, Gauff surged to a 2-6, 6-3, 6-2 victory over her bigger, stronger opponent, Aryna Sabalenka, from Belarus, who became the new world No.1 the day after the tournament ended.

Unlike the Williams sisters, who have obvious force and power, Gauff is small and slim. But she moves fast on the tennis court. Forbes magazine said, "She is the quickest and perhaps already the best returner of impossible shots in tennis history."

Even though Sabalenka is a very powerful hitter, it felt like she had to finish each point four or five times, as Gauff's defense was so perfect, noted The Telegraph. This ended up frustrating Sabalenka and caused her to make 46 unforced errors.

Gauff thus became the first American teenager to win the US Open since Serena Williams, then 17, in 

1999. When asked about "taking the torch" from the 23-time Grand Slam winner and the similarity between their tennis careers, Gauff told ESPN, "Serena is Serena. She's the greatest of all time... I'd hope to do half of what she did. But I'm not going to compare myself to her. She's some one that I look up to."

Now, Gauff's big win has left tennis fans wondering: When's her next Grand Slam? That's no easy task. Two of the past four US Open women's champions were teenagers at the time, Canada's Bianca Andreescu in 2019 and the UK's Emma Raducanu in 2021, and neither has come close to repeating their success yet. But one thing about Gauff is certain — that at just 19 years old, the sky's the limit.

There's hardly a dull moment in vibrant Istanbul. The city's historic attractions can be appreciated any time of year, but its atmosphere does change dramatically with the seasons, and accommodation prices vary accordingly. Here are our picks for the best times to enjoy Turkey's largest city.

June to August is best for outdoor dining and concerts in Istanbul. Summer is peak tourism season in Istanbul. Costs for accommodations can be high and lines long at major attractions. The weather is hot and humid, but the sun sparkling off the Bosphorus is glorious, and the outdoor seating at cafes, restaurants and bars makes for a lively urban scene. Concerts, festivals and other events are staged in the open air too.

The shoulder season is best for sightseeing and cultural events. The long, mostly pleasant spring and fall seasons are ideal for seeing the sights and wandering the neighborhoods of Istanbul, a city that rewards exploration by foot. There's a drop off in tourist crowds, and local urban life is in full swing, including a busy calendar of arts and cultural events.

Istanbul in December? Winter is ideal for travel on a budget. The gray, rainy and chilly winter months aren't the most appealing time to visit Istanbul, though they do lend the city a certain romantically sad mood. On the plus side, it won't be difficult or expensive to find accommodations, and Istanbul's many museums, mosques and other sights provide plenty of indoor activities.