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"Go get them yourself" Miss Bee said, ignoring the shopping list held up before her nose. "I'm not your servant, so just get yourself a basket from that pile over there and start filing."

It took me three wall-to-wall searches before I found the first item on my list―a pork can be placed between boxes of cereal and bread. Next up was toilet paper, found under the daily newspaper, and Band-Ads, found next to the face cream. The store was a puzzle, but it held some surprises too. I found a new Superman comic behind the peanut butter.

I visited Miss Bee a couple of times a week that summer. Some times she short-charged me. Other times she overcharged or sold me an old newspaper instead of a current one. Going to the store was more like going into battle. I left my Grandma's house armed with my list—memorized to the letter—and marched into Miss Bee's like General Patton (巴顿将军) marching into North Africa.

All summer long she found ways to trip me up. No sooner had I learned how to pronounce bicarbonate of soda (小苏打) and memorized its location on the shelf than Miss Bee rearranged the shelves and made me hunt for it all over again. By summer's end, however, the shopping trip that had once taken me an hour was done in 15 minutes.

The morning I was to return to Brooklyn, I stopped into tell her that she was mean (刻薄的). To my amazement she laughed and said. "Well, I don't care! Each of us is put on this earth for a reason. I believe my job is to teach every child I meet ten life lessons to help them. Think what you will, but when you get older you'll be glad our paths crossed!"

I thought the idea was absurd until one day my daughter came to me with homework troubles.

"It's too hard," she said. "Could you finish my math problems for me?"

"If I do it for you, how will you ever learn to do it yourself?" I said.

Suddenly, I was back at that general store where I had learned the hard way totally up (结算) my bill along with the cashier. As my daughter went back to her homework, I wondered: Had Miss Bee really taught me something all those years ago? I took out some scrap paper and started writing.

Cyrus E. Dallin Art Museum

611 Massachusetts Ave., Arlington

781-641-0747

The name Cyrus E. Dallin (1861—1944) might not be familiar, but several of the sculptor's works are. His "Appeal to the Great Spirit", an example of the many sculptures Dallin made relating to Native Americans, stands in front of the Museum of Fine Arts. Born in Utah, he lived in Arlington (Texas) for the final four decades of his life.

Norman Rockwell Museum

9 Glendale Road, Stockbridge

413-298-4100, www.nrm.org

Rockwell (1894—1978) moved to Stockbridge in 1953. By then he was already America's best-known illustrator (插图画家). The museum, founded in 1969, moved into its present, Robert A.M. Stern-designed building in 1993. Its 998 paintings and drawings are the largest single collection of Rockwell's art.

Kids 6 and under FREE, adults $20, students with D: $10.

Edward Gorey House

8 Strawberry Lane, Yarmouth Port

508-362-3909

Edward Gorey (1925—2000) was an artist but, he was other things as well: author, playwright, set and costume designer. Gorey purchased this 18-century house in 1979 and lived there the rest of his life. The house currently serves as a museum celebrating Gorey's life and work. It's also known as the Elephant House. That's appropriate, in light of Gorey's passion for animal welfare.

Gilbert: Stuart Birthplace and Museum

815 Gibert Stuart Road, Saunderstown, R.I

401-294-3001

Gilbert Stuart (1755—1828) is responsible for what may well be the most familiar work of any American artist. His portrait (画像) of George Washington is the basis of the first president's image on the dollar bill. As one of the early Republic's most distinguished artists, Stuart painted more than a thousand portraits over the course of his career.

I had a dream from primary school: to work in television. My parents owned a little grocery store, so we were definitely not fancy people. Thankfully, my dad had raised me to have a lot of confidence. He often said, "You can do anything you want to do." My dad was particularly supportive. He was my steady rock — always there for me.

With his help and encouragement, I was admitted to the radio and television arts program at Ryerson in Toronto. I really loved the program and worked hard and I was named the most outstanding graduate. I felt like I was already living my dream. I began to think that maybe I could apply for an internship in CBC or CTV.

Luckily, Global Television had just started broadcasting in Canada that year. I thought to myself: I'm new and they're new, so if Fm going to get to know one person at Global, it might as well be the president. I was scared, but I knew deep down inside that this was what I wanted. When I called my dad and told him my plan, he said, "Good, Faye. That's exactly what you should do."

With my heart just about pounding out of my body, I called up the president of Global Television. Suddenly Mr. Slaight was on the phone. "I've heard that your studio facilities are amazing. I could come at eleven o'clock on Monday or eleven o'clock on Sunday for a tour. What would suit you better?" I caught him totally off guard. He stuttered a bit, and then picked a day. When I hung up, I was scared but excited.

I arrived at the studio on the appointed day. When Mr. Slaight took me around, he looked at me and said， "What do you want?" He sounded furious but curious. "All I want is a chance to audition. I just want you to know my face. That's all I'm asking."

I didn't know whether I'd ever hear from him again, but two weeks later, his secretary called, "Mr. Slaight wants to know if you'd like to come and audition for a new school life show." I immediately answered，"Sure!"

注意：1.续写词数应为150左右；

2.请按如下格式在答题卡的相应位置作答。

Paragraph 1:

When I arrived at the station, I went direct into the audition and began my short performance.

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Paragraph 2:

Finally came the day of my first public appearance on live TV with my parents at home watching.

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1.小组观点；

2.陈述理由。

注意： 1. 词数80左右；

2.可以适当增加细节，以使行文连贯。

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In 1812, the year Charles Dickens was born, there were 66 novels (publish) in Britain. People had been writing novels for a century—most experts date the first novel to Robinson Crusoe in 1719—but nobody wanted (do) it professionally. Many works of fiction appeared the names of the authors, often with something like "By a lady." Novels, for the most part, (look) upon as silly, immoral or just plain bad.

In 1870, when Dickens died, the world mourned him as (it) first professional writer and publisher, famous and beloved, had led an explosion in both the publication of novels and their readership. Today Dickens' greatness is unchallenged. (remove) him from the pantheon (名人堂) of English literature would make about as much sense as the Louvre selling off the Mona Lisa.

How did Dickens get to the top? It's partly true that Dickens' style of writing (attract) audiences from all walks of life. It's party that his writings rode a wave of social, political and (science) progress. But it's also that he rewrote the culture of literature and put himself at the center. No one will ever know what mix of talent, ambition, energy and luck made Dickens such distinguished writer.

Another group of migrators does not quite fit either model, and researchers have only recently started to figure out how they find their way. Take the Cory's shearwater, an oceangoing sea bird that migrates over the Atlantic every year. The young do not migrate with their parents, so culture cannot explain their journeys. And the exact paths vary wildly from individual to individual, making genetics equally unlikely.

Cory's shearwaters are long-lived, rarely producing young successfully before age nine. This leaves an opening for learning and practice to develop their migration patterns. Researchers call this the "exploration-refinement", and until now it has been hypothetical (假设的) because of difficulties in tracking migratory animals' movements.

But a team of researchers has done that by attaching small geolocators to more than 150 of the birds aged four to nine. They found that younger birds traveled longer distances, for longer periods, and had more diverse paths than older birds. "We finally have evidence of the ‘exploration-refinement' for migratory birds," says Letizia Campioni, who led the study. Younger Cory's shearwaters are able to fly just as fast as the adults— but they do not, suggesting that the young do more exploring, which gradually fades as they mature and settle into a preferred course.

Although it may seem less efficient than other strategies, "exploration refinement could be beneficial to birds and other organisms (生物) in a rapidly changing world due to unpredictable man-made changes," says Barbara Frei. "It might be safer to repeat a behavior that was recently successful than to rely on patterns that were perfected long ago but might no longer be safe."