备战2018年高考阅读理解每日一练（10）

A

    In the coming months, we are bringing together artists from all over the globe, to enjoy speaking shakespeare's plays in their own language, in our globe, within the architecture shakespeare wrote for. Please come and join us.

    National Theatre Of China   Beijing|Chinese

    This great occasion(盛会) will be the national theatre of china's first visit to the UK. The company's productions show the new face of 21^st century chinese theatre. This production of Shakespeare's Richard III will be directed by the National's Associate Director,Wang Xiaoying.

    Date&Time:Saturday 28 April, 2.30pm&Sunday 29 April, 1.30pm&6.30pm

  Marjanishvili Theatre   Tbilisi l Georgian

    One of the most famous theatres in Georgia,the Marjanishvili,founded in 1928,appears regularly at theatre festivals all over the world. This new production of As You Like It is helmed（指导）by the company's Artistic Director Levan Tsuladze.

    Date & Time :Friday 18 May, 2.30pm&Sunday 19 May, 7.30pm

    Deafinitely Theater  London l British Sign  Language （BSL）

    By translating the rich and humourous text of Love's Labour's Lost into the physical language of BSL,Deafinitely Thertre creates a new interpretation of Shakespeare's comedy and aims to build a bridge between deaf and hearing worlds by performing to both groups as one audience.

    Date&Time:Tueaday 22 May, 2.30pm & Wednesday 23 May, 7.30pm

Habima National Theatre Tel Aviv l Hebrew

    The Habima is the centre of Hebrew-languege theatre worldwide. Founded in Moscow after the 1905 revolution,the company eventually settled in Tel Aviv in the late 1920s. Since 1958,they have been recognized as the national theatre of Israel. This production of Shakespeare's The Merchant of Venice marks their first visit to the UK.

    Date Date&Time:Monday 28 May, 7.30pm &Tuesday 29 May, 7.30pm

B

    I first met Paul Newman in 1968, when George Roy Hill, the director of Butch Cassidy and the Sundance Kid, introduced us in New York City. When the studio didn't want me for the film— it wanted somebody as well known as Paul— he stood up for me. I don't know how many people would have done that; they would have listened to their agents or the studio powers.

    The friendship that grew out of the experience of making that film and The Sting four years later had its root in the fact that although there was an age difference, we both came from a tradition of theater and live TV. We were respectful of craft（技艺）and focused on digging into the characters we were going to play. Both of us had the qualities and virtues that are typical of American actors: humorous, aggressive, and making fun of each other— but always with an underlying affection. Those were also at the core （核心）of our relationship off the screen.

    We shared the brief that if you're fortunate enough to have success, you should put something back— he with his Newman's Own food and his Hole in the Wall camps for kids who are seriously ill, and me with Sundance and the institute and the festival. Paul and I didn't see each other all that regularly, but sharing that brought us together. We supported each other financially and by showing up at events.

    I last saw him a few months ago. He'd been in  and out of the hospital.He and I both knew what the deal was,and we didn't talk about it. Ours was a relationship that didn't need a lot of words.